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It is a bit of a step back on the album, but it is still up there in quality.
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"Married In A Gold Rush" features Danielle Haim once again. Vampire Weekend combine folk and classical music on this track and it adds to the already fun feel of the record. "Rich Man" contains a lo-fi acoustic guitar loop which some young and angsty Soundcloud rappers would sulk in and tinker with for their EP. The song is a bittersweet pop song mixing in elements of world music and it showcases the amazing strings that accompany the track as well. "Unbearably White" can sound like something that would initiate the beginning of the decline of the album, but this is not the case. When first looking at the title of the song succeeding "How Long?", you may be a little skeptical.
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You can drive through Southern California windows open and radio cranked and feel like this album was made especially made for your little journey. "How Long?" keeps the same bassline the whole song, but it works very well to Ezra and Co.'s advantage. "Big Blue" is a short little interlude that sounds like a cross between a Soundcloud indie song and a drug-influenced Beatles anthem. "Bambina" and "This Life" are fun, catchy, and jovial California pop songs. The pianos, guitars, and percussion on this track make this track fun and could be plastered in the background of the end of a Pixar movie, despite its "I don't wanna live like this, but I don't wanna die" lyric. Although the first track, "Hold You Now", which features Danielle Haim, is a quaint start to the record, the Ivy League boys show that they are making up for lost time with "Harmony Hall", which may be the best song of 2019. While the band's first three records mostly have elements of afro-pop, indie, and funk, "Father of the Bride" marches into new and exciting territory for the band.
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While the band's first Vampire Weekend's "Father of the Bride" is their first album in six years since 2013's "Modern Vampires of the City". It feels like a dramatic unveiling of an artist re-discovering himself, and we are so here for that.Vampire Weekend's "Father of the Bride" is their first album in six years since 2013's "Modern Vampires of the City". In a modern twist on the record-singles club of yore, Koenig plans drop two new songs each month through April. There are some familiar contributors on FOTB: Ariel Rechtshaid (who co-produced “Modern Vampires of the City”) pops up again as a producer, as does former Vampire Weekender Rostam Batmanglij, who played a hand in “Harmony Hall.” But this will also be the band’s first album with features - perhaps a byproduct of Koenig’s recent period of collaboration - from The Internet’s Steve Lacy and others. Already, lyrics like the irreverent death wish of “Diane Young” (“Out of control but you’re playing a role”) have given way to more earnest musings such as “2021, will you think about me?” A nod to the Steve Martin rom-com, the work touches on Koenig fatherhood (his partner, actress Rashida Jones, gave birth to their son last fall) and relationships. Both tracks will appear on the band’s upcoming album FOTB, or “Father of the Bride,” which boasts a staggering 18 tracks.